Some time ago, I heard this medieval song generally named "The Dance of the Bear", a kind a traditional dance of the Pyrenean region. I was particularly attracted by the song because in that period I was reading a book called "The bear. The story of a decayed king". Still now when I hear or play that song with my accordion, I like to image an ancient dance of people around a bonfire, exorcising the fear for the visit of the King Bear during the nights.
Some days ago, I visited the traditional Fallas in Valencia. This tradition is steeped in pre-Christian rituals where the fire still retains its symbolic cleansing against the end of the winter and good luck brought by the spring equinox. There, between fireworks and firecrackers, the song constantly playing was a Brazilian song called "Ai se eu te pego", now the fashion of the moment.
Who knows if in a few hundred years, posterity will think that I was dancing that song around the fire.
Certainly, what I would have expected (or maybe what I would have liked to expect) from the evolution of the Dance of the Bear is much more similar to the music that Meikenut proposes in their Laridé a otto tempi.
- Michel Pastoureau, "L'ours. Histoire d'un roi déchu", http://en.wikipedia.org/wiki/Michel_Pastoureau
- Meikenut : http://italianfolkmusic.blogspot.com.es/2007/08/meikenut-sons-et-suggestions-dautrefois.html